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Interviews Ron Lesser
Ron Lesser was one of the most prolific illustrators during the paperback boom and continues to paint every day! He used Steve Holland on hundreds of covers and was kind enough to provide a large number of reference photos from his sessions with Steve, usually shot by Robert Osonitsch in New York City.
Lesser illustrated the first few covers for the popular western series "Fargo' by John Benteen. Neal Fargo was a soldier of fortune clearly based on Lee Marvin's character Henry Fardan in Richard Brooks's classic western "The Professionals' (1966). Here's Benteen's
description of Fargo: "Tall and weather beaten, his prematurely white hair kept close-cropped, he still wears much the same outfit he wore in the service: cavalry boots, campaign hat, jodhpurs, or khaki pants, comfortable shirt."
Lesser enlisted Holland to embody Fargo. Tall and lean, Steve Holland had dark hair and Lesser made him partially salt and pepper on a few of the covers, but focused more on using Holland to convey the sense of danger and adventure that would be found in the pages
of nearly thirty novels rather than get bogged down by the specifics
of his coiffure.
What you're looking at from the top is a photo from a Fargo photo session shot by Osonitsch, the bottom illo is the cover of 'Massacre River' which is probably as close to the white haired Fargo look as Lesser ever got. The larger illustration is a painting by Ron Lesser
of the photo at the top of the page that wasn't used as a cover and hangs in my home office.
"Fargo' is a great series and Benteen really knew how to tell a rollicking adventure. But if not for Steve Holland and Ron Lesser, this great read would have passed me by.
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GOING TO THE SUN GALLERY - 137 CENTRAL AVENUE, WHITEFISH, MONTANA - 406.862.2751
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RON LESSER COVERS THE WESTERN GENRE, FROM
FILM POSTERS FOR CLINT EASTWOOD TO EVOCATIVE OIL PAINTINGS
BY JOHNNY D. BOGGS
n American Indian and his horse drink from the same pool of water by a river in the Rocky Mountain West in The Indian in His Solitude, a 36- by 31.5-inch oil by painter Ron Lesser [artbyronlesser.com]. The piece evokes the remote frontier, though the artist doesn't remember exactly what inspired this particular canvas. "Maybe I liked the title and painted something to fit the Indian in his solitude," he says. Of course, when you have rendered as many paintings as Lesser, you're not likely to remember the details of every single one. |
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He later studied at the Pratt Institute and then attended the Art Students League. Having grown up a Western film buff, Lesser naturally gravitated to Western subjects as a professional artist. He ranked among the top illustrators of Western paperback covers from 1976 into the early 1990s, when publishers increasingly turned to digital photography-or, as Lesser puts it, "Photoshop took over and put many fine artists out of business." He's perhaps best known for his iconic movie posters. "I loved making paintings for movies," he says. "Often I would photograph models and place the actor's head on the body for the painting. Other times I would paint the actor's portrait and add scenes." |
Lesser's creations have included posters for the Westerns Joe Kidd ( 1972), High Plains Drifter ( 1973) and Pat Garrett and Billy the Kid (1973). His favorite? "Probably High Plains Drifter," he says, "because it led to making five movie posters for Clint Eastwood. Also it became an iconic poster. I really don't know why this poster was so popular." He's still at it, too, having recently rendered poster art for Atomic Blonde, a 2017 spy thriller starring Charlize Theron. Lesser's Western works run the gamut from still life subjects to historical images and portraits and encompass much of the 19th century. "1830 through 1900," he says. "The early 1800s ... the mountain man period ... the Indian wars through most of the 1800s. After the Civil War, outlaws and lawman, as the country moved westward. All great material for painting the West." That is when he isn't painting Civil War scenes, or portraits of America's founding fathers, or sports paintings, pop art or romantic fantasy. His broad range is "strictly market driven," he says, and don't even ask about his muse. "No muse," he says. "I just go to work." To appreciate his work in person, visit Going to the Sun Gallery [goingtothesungallery.org] in Whitefish, Mont., or Aspen Grove Fine Arts [aspengrovefineart.com] in Aspen, Colo. |
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The Disputed Trail
APRIL 2018 WILD WEST MAGAZINE
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GOING TO THE SUN GALLERY - 137 CENTRAL AVENUE, WHITEFISH, MONTANA - 406.862.2751