RON LESSER COVERS THE WESTERN GENRE, FROM
FILM POSTERS FOR CLINT EASTWOOD TO EVOCATIVE OIL PAINTINGS
BY JOHNNY D. BOGGS

 

 

n American Indian and his horse drink from the same pool of water by a river in the Rocky Mountain West in The Indian in His Solitude, a 36- by 31.5-inch oil by painter Ron Lesser [artbyronlesser.com]. The piece evokes the remote frontier, though the artist doesn't remember exactly what inspired this particular canvas. "Maybe I liked the title and painted something to fit the Indian in his solitude," he says. Of course, when you have rendered as many paintings as Lesser, you're not likely to remember the details of every single one.

  Lesser was introduced to art at an early age-though not at the Met, Guggenheim or Whitney. "When I was a child, I loved to study the drawings from comic books," he says. "I wanted to be an illustrator for as long as I can remember. I had hundreds of comic books, which my parents threw out as soon as I moved out. Would be worth a lot of dollars today."

 

  He later studied at the Pratt Institute and then attended the Art Students League. Having grown up a Western film buff, Lesser naturally gravitated to Western subjects as a professional artist. He ranked among the top illustrators of Western paperback covers from 1976 into the early 1990s, when publishers increasingly turned to digital photography-or, as Lesser puts it, "Photoshop took over and put many fine artists out of business." He's perhaps best known for his iconic movie posters. "I loved making paintings for movies," he says. "Often I would photograph models and place the actor's head on the body for the painting. Other times I would paint the actor's portrait and add scenes."

A Taste of Honey

Lesser's creations have included posters for the Westerns Joe Kidd ( 1972), High Plains Drifter ( 1973) and Pat Garrett and Billy the Kid (1973). His favorite? "Probably High Plains Drifter," he says, "because it led to making five movie posters for Clint Eastwood. Also it became an iconic poster. I really don't know why this poster was so popular." He's still at it, too, having recently rendered poster art for Atomic Blonde, a 2017 spy thriller starring Charlize Theron.

  Lesser's Western works run the gamut from still life subjects to historical images and portraits and encompass much of the 19th century. "1830 through 1900," he says. "The early 1800s ... the mountain man period ... the Indian wars through most of the 1800s. After the Civil War, outlaws and lawman, as the country moved westward. All great material for painting the West." That is when he isn't painting Civil War scenes, or portraits of America's founding fathers, or sports paintings, pop art or romantic fantasy.

  His broad range is "strictly market driven," he says, and don't even ask about his muse. "No muse," he says. "I just go to work." To appreciate his work in person, visit Going to the Sun Gallery [goingtothesungallery.org] in Whitefish, Mont., or Aspen Grove Fine Arts [aspengrovefineart.com] in Aspen, Colo.
  High Plains Drifter

 

 

The Disputed Trail

APRIL 2018 WILD WEST MAGAZINE